Criticult.Com

Despite what is going on at my other site hereRUFKM reviews May 8 West Palm Beach NIN/JA Tour Kick Off Show, I have to admit this video is pretty damn great.

Labels: music, TylerDFC, video

Go Go Girls of the Apocalypse is one of the most enjoyable books I’ve read in some time. Is it great literature? No, it most certainly is not. But that really doesn’t matter because the book is just so damn fun. I decided a while ago that if I happen to luck into a vast fortune I would open my own movie studio and option the rights to the novels I love. This book would definitely be on that list. {Along with Song of Kali, Dies the Fire, The Eyes of the Dragon, Dead in the Water, and The Eyre Affair to name but a very few.}

The blurb on the cover calls Go Go Girls a cross between Quentin Tarantino and Christopher Moore. The book does take place partly in a strip club, but otherwise I don’t know why Tarantino’s name came up. I would say it is a cross between Terry Pratchet, Carl Hiaasen, and the Fallout games.

It has been 9 years since a financial meltdown and nuclear war (among other calamities) decimated the world. All that time, Mortimer Tate has been hiding in a cabin in the mountains in Tennessee with a very healthy stash of supplies and weapons. One day he sees some men coming up the mountain toward his house. He hasn’t seen another soul since the apocalypse years before. He goes out to try and greet them but ends up startling them with his sudden appearance - his cabin is hidden in a cave – and is forced to kill the 3 men. This encounter spurs Mortimer to try and rejoin what is left of society and sends him careening from one adventure to another with his friend Bill, a gunslinger, Sheila, a stripper. He quickly learns that the new economy hinges entirely on Armageddon Dollars, found exclusively at Joey Armageddon’s Sassy-A-Go-Go and its franchise locations. Joey’s is a strip club/brothel that is also a hotel, armory, and supply station and our heroes visit them often, but it is only in the final chapters that the importance of the club becomes apparent from a story telling perspective.

This book is all plot and comic details and unfolds much like a video game. There is little time for deep characterization as Mortimer and his friends get in one scrape after another while fighting (and running) from cannibals, asylum inmates, scavengers, and other denizens of the post apocalyptic world. Just when they seem to be safe some new danger erupts and they have to react quickly. This is repeated throughout the novel. The middle chapters get a little tedious as it jumps from action scene to action scene but the final 100 pages settles down as the plot comes fully into focus and sets the stage for an epic - yet very funny - war.

To say more would be to give away too much. The fun with this book lies in getting sucked into this weird post-apocalyptic world as the little in jokes and references begin to pile up. I laughed out loud several times and had a blast with it and was surprised by the ending, but completely satisfied. Even as I read the last page of the epilogue I could see it unfolding as a movie, down to the final line as the music gets louder and the credits begin to roll.

The next time you are complaining there are no good movies get yourself a copy of this book, a nice comfortable chair, and your drink of choice and read the best summer movie that has yet to be made.

Labels: Cannonball Read, TylerDFC

Labels: Playlists, TylerDFC

In an instant, the world changes. The power goes out, planes fall from the sky, and most frightening of all, gunpowder and gasoline stop igniting. Humanity is sent back to the dark ages in an instant. Welcome to The Change.

Dies the Fire by S.M Stirling follow 2 groups of characters in Oregon that spend much of the narrative apart but their stories run parallel. First we meet ex-Marine and private pilot Mike Havel. He is ferrying the wealthy Larsen family to their mountain home outside of Salem when the Change occurs. All instruments on his plane cease to function and he crashes into a river. Mike rallies the Larsens and they make their way across the wilderness to try and reach civilization.

In Corvallis we meet Juniper McKenzie, folk singer and Wiccan, her daughter Eliir, and bar owner Dennis. She is playing a gig when the lights go out and before confusion really sets in, a boom sounds from downtown as a 747 smashes to the ground and sets fire to the town. People quickly learn it’s not just the lights that are out, but all electronic and electric devices have ceased to function, battery operated or not. As looters smash in a nearby electronic store a cop pulls his gun to dissuade them and fires a warning shot only to be met with a dull click. The thugs see this, pull their own guns and fire and theirs fail to go off as well.

Sensing that it’s time to get out of dodge, Juniper, Eliir, and Dennis head for Juniper’s cabin in the woods outside of town, picking up friends and stragglers along the way.

As the story progresses Mike and Juniper’s groups fight for survivival and attempt to adapt to a world where sword and chainmail have once again become cutting edge technology.

Dies the Fire is the first part in a 9 book (and counting) series called The Emberverse. The series is divided into 3 self contained trilogies. It is tied to Sterling ’s previous series “Island in the Sea of Time ” which dealt with the island of Nantucket being enveloped in a mysterious storm and being transported back to the Stone Age. The Emberverse series is about what happened to everyone left behind.

The strength of the novel comes from Stirling’s detailed descriptions and logical progression of events in the post Change world. Apocalyptic fiction is one of my favorite genres and Dies the Fire stands with the best just on premise alone. Whether or not it is ever explained in the series, it is a stroke of genius to eliminate gunpowder, electronics, and explosives from the equation. This alone is enough to set the novel apart from typical apocalyptic stories. Where it really shines is in the recounting of how Mike and Juniper’s groups grow from a handful of scared survivors to hundreds of battle hardened warriors fighting together in alliance.

The story is detailed without being particularly dense but there are times where the action slips out of control from the narrative. In a couple of instances I had to re-read a couple of pages to catch what happened to a secondary character. Also, the ending seems to arrive with little run up as the heroes join forces in a joint assault on a mutual enemy.

Speaking of the enemy, very little text is given to Professor Norman Arminger, the self proclaimed Protector of Portland and the Willamette Valley . When the change occurs he uses his knowledge of medieval warfare and gang society to convince the criminal element of Portland to join forces with him in order to rule this new world. His building of a fort to try and control the Valley where Mike and Juniper’s groups make their home is the impetus for the final battle. The second book in the series is called The Protector’s War so I am guessing it will go into more detail on Arminger and his plans.

As the first in a series Dies the Fire sets the stage for epic battles to come.

Labels: Cannonball Read, TylerDFC

In honor of the stellar (yes, stellar) ending to Battlestar Galactica this past Friday I have dug up and re-posted my original review of the mini series when it first aired back in 2003. Because really, why not?



"Life here, began out there..."

Lieutenant Starbuck. Captain Apollo. Commander Adama.
If you are in your early 30's then these names should
bring to mind two words: Battlestar Galactica. It
was a cult hit that lasted 2 seasons (actually a
season and a half) on ABC in 1978 and 1979. It told
the story of a "rag tag fugitive fleet", the last few
thousand humans left, desperately trying to outrun the
metallic menace of the Cylon race and reach a mythical
planet called Earth. In the original pilot movie, the
Cylons attack their home worlds called the Twelve
Colonies and force these remaining ships to go on the
run. Led by the warship Galactica and defended by
their fleet of fighters called Vipers, the survivors
tried to maintain order and to use all of their
resources just to survive. Each episode they would
encounter trouble and over come crisis in the form of
supply shortages or one of the many Cylon attacks but ultimately
they would keep on trucking. At least until ABC pulled
the plug midway through the second season.

The thing that always struck me abou t the show was the link to
Egyptian mythology. In the late 70's there was a
revival in all manner of Mysteries of the Earth shows.
Numerous "documentaries" were created about the likes
of the Bermuda Triangle, Loch Ness Monster, Bigfoot,
and of course the possibility that Egyptians, Mayans,
and the like were aided by extraterrestrials in the
construction of their most magnificent temples and
monuments. The names of ships and characters on the
show were straight out of mythology: Apollo, Cassiopeia,
Pegasus, etc. The helmet that Vipers pilots wore bore a striking resemblance to the headpiece of
an Egyptian pharaoh, specifically the worldwide tour in the late 70's of the mummy of King
Tutankhamen.

I bring this up to show the differences between the
old version, and the new mini-series that just aired
on Sci-Fi. The Egyptian motif is gone. The hippy
sensibility of the fleet and its leaders is gone. The
humor is gone. This is 9/11 set in space on a grand
scale.

The movie begins with spare text overlapped on shots of
a ship docking at a lone space station. No music. The
starkness and quiet is reminiscent of "2001"

THE CYLONS WERE CREATED BY MAN.

THEY WERE CREATED TO MAKE LIFE EASIER ON THE TWELVE
COLONIES.

AND THEN THE DAY CAME WHEN THE CYLONS DECIDED TO KILL
THEIR MASTERS.

It continues in this vein and ends with:

NO ONE HAS SEEN OR HEARD FROM THE CYLONS IN 40 YEARS.

That is really all the background that is given through
the course of the next 4 hours. This is a human story
and very little is given to explaining how things
work. Some ships have warp drives that allow them to
"jump" to pre-calculated spots in space. Others do
not. The ships seem to fire some kind of bullet, as
opposed to a laser, but little explanation is given.
Radio transmissions suffer from time lag due to
distance, and there is no "future look" to any of the
proceedings. They dress like us, talk like us, have
morning news programs, cancer, nuclear weapons, and a
department of education. Then on the day that the last
remaining warship from the Cylon War is being
decommissioned and turned into a museum, their world
comes to an end.

The Galactica was designed to function with computer
components that were not networked together. The
Cylons had the ability, since they are machines, to
disrupt networks and control them. So the Battlestars
were created where many things are done manually and
non interlaced. Acute fear of technology is one theme
that is prevalent throughout the movie. It is a fear
that is validated early on when the Cylons, fresh from
unleashing hundreds of 50 megaton warheads on the
twelve planets, render powerless the Colonial fleet.

The "how" is explained, the why never really is. In
numerous scenes the Cylons make reference to "God",
and seem to believe they are on a crusade from Him to
wipe out humanity. The religious zeal of Al Qaida
seems to be the metaphor here. Since the Cylons have
twelve models that look and act human, the theme of
"the enemy is us" becomes clearer. When the main
characters, Captain Lee "Apollo" Adama, Commander
Adama, Lieutenant Kara "Starbuck" Thrace, and others
learn of what has happened to their worlds the
reactions are varied and powerful. Some react with
disbelief, others anger, some with panic. Over time,
when the number of humans left is around 50,000, those
emotions coalesce into dread and hopelessness.

This is powerful stuff and I was surprised by how well
it was done. The camera work is primarily handheld and
gives the drama an immediacy much like NYPD: Blue
and The Shield. Early on a space station is
destroyed by a Cylon attack and a large piece of
degree rushes toward the camera. At the point when you
think it will fill the screen and face to black (as we
have seen numerous times before) the camera's view is
wildly shifted, as if the debris smashed into the
camera. It could be dismissed as a gimmick if that
"reality" aspect was not carried through the entire
show.

I know I have mentioned little about the characters,
acting, dialogue, effects, or even the plot. The
acting ranges from understated and intense to over the
top. Some of the dialogue is hammy, but most of it
hits the mark. Edward James Olmos is incredible as
Adama. In his early scenes he portrays Adama as a well
respected and revered father figure to the crew
of the Galactica. As the crisis ensues he transforms
into a battle hardened veteran and is forced to make
decisions that will ultimately take the lives of his
crew and those that depend on him for the good of the
fleet. From the moment the Cylon attack begins he is
desperate to enter the war. His realization at the
end, that the war is already over and they are now in
a battle against extinction, is profound and handled
with nuance.

The special effects are understated and very good.
Ships move as you would assume spaceships should. The
only sound they make is a retro jet firing to turn and
rotate, and a muffle thump from their weapons. The
almost silent battles are eerie and underline the
desperation and futility of what they are doing. The
ship design is all well done, and the "new" Vipers are
sleek and powerful, while looking exactly as you
remember from the original show. The producers pulled
off a neat trick to feature new designs as well as the
ones that fans of the series will remember.

I could keep going on but I would rather leave it to
you to discover. I'm sure it will be on DVD in the
next few months. Do not pass up the chance to see it.
The movie is left with several loose ends and one
large twist in the final frame that leads one to think
that the intention is for the story to continue. Even
if it does not, these four hours are well worth any
science-fiction fan's time. Think of it as the
anti-Star Trek; Humans above technology.

For anyone that has yet to watch the best science fiction series of all time, here is how it all began:

Labels: Battlestar Galactica, TV